Jean-Michel Duriez, master perfumer is the nose of the house. Former nose at Patou and Rochas, he also created fragrances for Dolce & Gabbana and Lacoste. 

He signs the seven CRay compositions with a unique signature. At the heart of each fragrance runs a single accord made of — 

- Maté with its powerful, herbaceous facets 

- Osmanthus, a Chinese flower with a sweet, apricot fragrance and a base note elegantly reminiscent of leather.

- Oak moss that features accents of forest and undergrowth, especially evocative of the forests in the Limousin region of France

- The essence of juniper, a burnt wood recalls the scents of leather and chimney fire.

Four ingredients that compose the perfumes, in varying doses, sometimes as a watermark, sometimes more asserted. It is the unique signature one recognises from one fragrance to the next. This accord bears a name: Fleur de Cuir. It finds its full expression in the perfume Cuir de Fleur — which can be worn alone, or laid upon another fragrance of the house to extend its hold.

Julien Gaubert, designer, signs the bottle, the logotype, the visual identity and the packaging.

Artistic director for luxury and fashion brands (Lancôme, L'Oréal Luxe and the Muséum National d'Histoire Naturelle), he has developed a close collaboration with Courrèges where he stayed fifteen years and has kept this particular way of seeing the world, making purity, rigor, light and innovation his trademark.

Julien Gaubert has a unique working approach, which systematically results in an innovation that brings added value and business development.