The Essence of Cologne
Feminis & Aqua Mirabilis
Well-being began with the Cologne.
In 1693, in a distillery in Cologne, a Piedmontese apothecary named Giovanni Paolo Feminis composes a rare water from eighteen plants grown in a Florentine convent. He names it Aqua Mirabilis — the admirable water. This is not a perfume: it is a care, a remedy, an object of knowledge. The University of Cologne will grant him, in 1727, a patent — not of perfumery, but of medicine.
Three centuries later, the Cologne has changed hands. Industrialised, commoditised, relegated.
CRay begins here — where the Cologne ceased to be an attentive gesture and became a product — and sets out to bring it back to its circle of origin — Haute Parfumerie.
Cologne, Craft,
Concentrated, Contemporary,
Committed Haute Parfumerie
Nicolas Chabot
Nicolas Chabot embodies a contemporary vision of Haute Parfumerie, combining the eye of the collector with the audacity of the inventor. Heir to a family engaged in perfumery since 1930, he learns the craft in the shadow of the Houses of Dior and Givenchy, then at Estée Lauder, where he refines his sense of luxury.
In 2014, he revives Le Galion— a French House founded the same year as his family roots, in 1930, by Prince Murat, and made famous by the perfumer Paul Vacher. He then signs Æther (2016) — a conceptual perfumery of synthetic molecules — and Headspace (2022) — fragrances captured at the source. A lifelong devotee of Colognes — a thread passed from one generation to the next —, he takes over the Carlotha Ray house, now CRay, in 2026 .
Four Houses, four languages, one and the same obsession: to tell perfume otherwise. For him, to create is to imagine.
Restore Cologne to Haute Parfumerie


